Rep’s ‘Three Hots’ Based on Stories of Federal Medical Center Inmates

Cast members from left Luke Langseth, Jake Dreher, Mitch Gibson, and Dominique Jones from the Rochester Repertory Theatre’s Production of “Three Hots and a Cot” Photo by Joe Ahlquist


A dusted-off, 20-year-old script is about to become a world premiere production at Rochester Repertory Theatre.

“Three Hots and a Cot,” developed two decades ago by Debbie Fuehrer and Theo St. Mane along with inmates at the Federal Medical Center in Rochester, will debut Jan 11 at the Rep.

Fuehrer said she came across the script last year. “I called Theo and said, ‘Hey, remember when we were going to do that on the outside sometime?’” she said.

Yes, St. Mane did remember, and he was only too anxious to get to work on a public production of “Three Hots” outside the walls of the prison. The play has only previously been performed in a workshop version by inmates at the FMC.

Now, with a cast of local actors, some script refinements and new music written by Greg Hintermeister, “Three Hots and a Cot” is ready for an ‘outside’ audience.

The play came out of a counseling program Fuehrer ran at the prison for 12 years. But it wasn’t easy. “I had to convince the Bureau of Prisons why this would have therapeutic value,” she said.

Once approval was obtained, the script was built upon suggestions from inmates about their daily life.

“We took all these stories and experiences and put them together in the script,” St. Mane said. “Right from the start, these guys though it should be told more with humor than drama.”

It would have to be in order to be palatable to a general audience, one suspects.

“We want audiences to see these people, to see that we share humanity with them,” Fuehrer said. “To see what they go through. I can tell you I’m still haunted by what I saw there.”

The idea, St. Mane said, is that “People are people.”

The all-male cast consists of Jake Dreher, Sean Lundberg, Mitch Gibson and Alexandro Rox as four main inmates, backed by a chorus of Luke Langseth, Theo and Chuck St. Mane, Dominique Jones and Raymond Festen. Dylon Starr is an inmate balladeer.

Despite the subject matter, Theo St. Mane said, “People aren’t going to come out of this depressed.”

“We have enough humor in it,” Fuehrer said.

The staging of the play, so long after it was originally developed, has been rewarding, St. Mane said.

“I’ve been doing theater in this town for a long time, and this is one of the most exciting projects I’ve been involved in,” he said. “This is a career highlight for me.”

The Rep is advising that this show is not appropriate for ages 16 and younger.

Tom Weber, Post-Bulletin   January 7, 2019

Rep Tells ‘Every Christmas Story Ever’ with Infectious Humor

Some things are sacred, but Christmas isn’t one of them, at least not in the hands of the Rochester Repertory Theatre.

The Rep’s reprise of “Every Christmas Story Ever Told (and Then Some!)” gleefully pokes fun at and satirizes everyone’s favorite Christmas productions, from the Grinch and Frosty to the granddaddy of them all, “A Christmas Carol.”

The play, which opened last Friday, is directed by Bill Schnell and features returning cast members Lisa Modry and Dave Derby alongside newcomer (to this show anyway) RJ Traff.

Derby clearly has issues, in the funniest sense of that phrase, and gets some of the craziest bits, as a classical ballerina in “The Nutcracker,” and a tipsy commentator at the Macy’s Thanksgiving Day parade.

Modry’s comedy is based in part on her ability to project an innocent, wide-eyed wonderment at everything the holiday season offers to us.

Traff, meanwhile, is the steady hand drawn into this maelstrom of dementedness against his wishes.

The setup is this: Traff is launching yet another holiday performance of “A Christmas Carol,” but Modry and Derby claim to be tired of that old chestnut, and want to act out other holiday favorites. Traff assents, so long as they eventually get to “A Christmas Carol.”

And they do eventually get to Dickens’ classic, but not before deconstructing and lampooning all the holiday stories we hold dear.

Modry, for example, wants to act out “A Child’s Christmas with Whales,” while Derby hosts a game show about fruitcake. A spoof of the Rudolph story goes a bit too long, but nearly everything else they try is witty and sharp. Listen closely or you’ll miss some of the dozens of pop culture references that litter the script.

When they finally get to “A Christmas Carol,” it’s a speeded-up version that somehow gets mixed up with “It’s a Wonderful Life”

After such a rambunctious take on the holiday season, Modry, Derby and Traff come back on stage to sing Christmas carols–and these favorites, too, are mashed together to create one entirely new song of the season.

If nothing else, this show proves that laughter is habit-forming. Once the jokes start picking up steam, the laughter of the audience gets rolling like a snowball going downhill. It’s infectious.

Granted, much of this show is just plain silly, but there’s nothing mean-spirited about it. Just sit back, laugh and enjoy.

Tom Weber, Post-Bulletin   November 26, 2018

‘Every Christmas Story Ever Told’ is Back at Rep

Cast of “Every Christmas Story Ever Told” by the Rochester Repertory Theatre are, from left, Lisa Modry, R.J. Traff and Dave Derby.
Andrew Link /


Christmas is back by popular demand.

Well, there’s nothing unusual about that. After that ugly election season, we could all use a little Christmas.

But audiences at the Rochester Repertory Theatre will get more than a little Christmas this year. They’ll get “Every Christmas Story Ever Told (and Then Some!)” – a reprise of last year’s holiday hit, which opens Nov. 23.

“When it finished last year, people were asking us about it,” said Bill Schnell, who directs the show. “People couldn’t get tickets because it sold every seat. So they asked if we’d be willing to do it again.”

The answer was yes, especially since this is a crazy show, and Schnell likes crazy. “It’s a fun show to do,” he said.

The play is about a small theater troupe that is faced with doing, yet again, “A Christmas Carol” for the holiday season. But the actors are tired of that old chestnut and start heading off in different directions, spoofing holiday favorites, trampling on traditions, and finally getting around to a hasty version of “Carol.”

This year’s production won’t be an exact copy of the 2017 version, Schnell said. For starters, R.J. Traff has joined the cast in place of Jeff Goihl, who had family commitments. “He’s the standard straight man,” Schnell said of Traff, and the role is supposed to be for a straight man.” In other words, Traff will try to maintain a calm equilibrium as the craziness goes on around him.

Returning from last year’s cast are Lisa Modry and David Derby.

In addition, Schnell has received permission from the playwrights to eliminate one scene and tweak some other aspects of the show. “We made some subtle, technical changes,” he said.

As an added treat for opening weekend, Maggie Hendrickson and Kasey Kuker will perform holiday music before the show Friday night, with more pre-show music by Melissa and Anastasia Goihl planned for Saturday night.

And about that opening: Black Friday would seem like a crowded day to open a play. However, it worked last year, and Schnell anticipates it will again.

“It was so successful,” he said. “Black Friday was wonderful. We said, ‘You’ve got family in town, come and be entertained.’”

Tom Weber, Post-Bulletin   November 15, 2018

Rep Puts New Shine on ‘Godspell’

Much recent criticism of the musical “Godspell” has complained that the 1971 hit has not aged well. The play doesn’t seem nearly as subversive as it once did, its pop-rock musical stylings are now heard in most Protestant churches, and aside from those songs, the well-known stories from scripture, as acted out by a bunch of outsiders, seem bland.

So there’s a need to breathe new life into the golden oldie, which the Rochester Repertory Theatre tries valiantly to do in a production that opened last Friday.

Director Samantha Gibson, who directed last season’s hit musical “The Spitfire Grill,” has set “Godspell” in modern times in a New York City subway station (the River Jordan Station). So much for the hippies and circus of the original. And, where traditional productions of “Godspell” have tended to feature young casts, Gibson has pulled in everything from teens to, well, RJ Traff, who was in the show the last time the Rep did it 30 years ago.

The show’s signature song, “Day by Day,” is touchingly performed by high school student Antoinette St. Godard. Among the Rep newcomers, Genie Theis solos on the lovely ballad “All Good Gifts.”

The strongest singing though, comes when the entire cast sings as a chorus, providing a swelling, full sound. “O Bless the Lord, My Soul” is one example; the reprise of “Day by Day” is another.

John Shaffer makes his Rep debut as Jesus, with Mitch Gibson in a strong performance as John the Baptist and Judas. Also in the cast are Alex Beerling, Jacob Dreher, Michele Nyman, Lisa Modry, Susanna Spencer, and, of course, Traff, who has made a welcome return to local stages in  recent seasons after a long layoff.

Dreher also designed the multi-level set, which is a convincing replica of a New York subway platform–minus the rats.

If anything, this cast might be over-rehearsed. Too many of the ad libs feel prepared in advance. At times, the mugging for laughs seems counter to the serious message of the parables being told by Jesus. Maybe that’s the point: Nobody’s really listening to him or taking him seriously.

There’s no doubt that this show requires an incredible amount of energy and stamina, and Gibson’s cast never appears to run out of steam, even in a warm theater on a humid opening night.

Give credit to Gibson for realizing the “Godspell,” with its timeless message of love for one another, needed to be refurbished and updated. Maybe the Rep won’t wait 30 years before doing it again.

Tom Weber, Post-Bulletin   September 17, 2018

Rep Brings Back ‘Godspell’ 30 Years Later

The last time Rochester Repertory Theatre staged the musical “Godspell,” the Rep was only four years old, it was located on the second floor of a building on South Broadway, and RJ Traff was in the cast. That was 1988.

Well, now it’s 2018, and the Rep is presenting “Godspell” once again. The Rep is now celebrating its 35th season, and has been located on Seventh Street Northeast for over a decade. And RJ Traff is once again in the cast.

“RJ is back,” said Samantha Gibson, who is directing “Godspell” for the Rep. The play opens Sept. 7.

There’s something else familiar from that 1988 production. That year, “Godspell” was so popular with audiences that the run of the show was extended. This year, an extra date has already been added to the run, even though “Godspell” hasn’t even opened yet. The demand for tickets is ahead of normal expectations, Gibson said.

All of which could make the director and cast feel some extra pressure about opening a milestone season in front of an expectant audience.

However, Gibson, who directed last spring’s hit “The Spitfire Grill,” doesn’t see it that way.

“This is such a well-loved show,” she said. “I feel like it’s going to be a show everybody will enjoy. You’re going to walk out feeling good about yourself.”

“Godspell,” which had its New York debut in 1971, is a musical retelling of the Gospel according to Matthew. In some ways, the play is a product of an era when everything, including the Bible, was up for re-examination. Even those who never saw a production of the show were fans of the original score recording, which included the hit “Day by Day.”

“The music is easily my favorite part,” Gibson said.

For this production, Gibson is setting “Godspell” on a subway platform in modern-day New York City.

“I was thinking of ways to modernize it,” she said. “They had a junkyard scene in the original, and I was thinking of a place where all these people would come together.”

In New York that would be a subway platform, where commuters from all walks of life find themselves in the same place at the same time.

Although “Godspell” is based on the Bible, it is not preachy, Gibson said.

“They make it a lot more relatable for everybody,” she said. “I think this show can really reach out to everyone. It’s really about community, about finding a family.”

Tom Weber, Post-Bulletin   September 6, 2018

‘Eurydice’ is Rep Theatre’s Summer Offering

Jessica Schuler, playing “Eurydice,” and Scott Regener, playing “Father,” during a rehearsal for Rochester Repertory Theatre’s production of “Eurydice” Sunday, June 17, 2018, in Rochester. Joe Ahlquist /


In recent seasons, Rochester Repertory Theatre has presented light-hearted comedies and farces during the summer. This year, the summer offering is “Eurydice,” based on the myth of Orpheus, where – spoiler alert – the title character dies on her wedding day and journeys to the underworld.

“When I tell people about the play, I usually follow up with, ‘It’s a comedy,’” said Kami Sim, who is directing the show. “It’s a dramatic comedy. A lot of the bittersweet moments are followed up with comedy.”

In “Eurydice,” “dying does happen,” Sim said. “But it’s not a sad thing. It’s more joyous because she’s reuniting with her father.” Jessica Schuler, playing “Eurydice,” and Scott Regener, playing “Father,” during a rehearsal for Rochester Repertory Theatre’s production of “Eurydice” Sunday, June 17, 2018, in Rochester.’ 

Comedy, drama, sad, joyous, whatever, “Eurydice,” by Sarah Ruhl, is a play Sim has wanted to tackle for some time. “It’s a show I worked on in college and I’ve always wanted to do it,” she said. “This is my first chance.”

She was attracted to the story because “It features a strong female lead, something not a lot of shows have,” Sim said. “I’m adamant about doing shows with female actors, female directors, and by female playwrights.”

Sim has cast Jessica Schuler as Eurydice. Also in the cast are Sean Lundberg, Jake Sprafka, Scott Regener, James Denzer, Kara Haack, and Jackson Davidson. “I was looking for a sense of humor (and) for comedic timing,” Sim said of her cast. 

While the play takes place in a mythic time, Sim said audience will see today’s world reflected on stage. 

“It’s about relationships and listening to each other,” she said. “It’s like when you’re with someone and you’re not truly present with them, you’re on your phone.”

By Tom Weber, Post-Bulletin   June 24, 2018